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Florentine Camerata
The Florentine Camerata, also known as the Camerata de' Bardi, was a group of humanists, musicians, poets and intellectuals in late Renaissance Florence who gathered under the patronage of Count Giovanni de' Bardi to discuss and guide trends in the arts, especially music and drama. They met at the house of Giovanni de' Bardi, and their gatherings had the reputation of having all the most famous men of Florence as frequent guests. After first meeting in 1573, the activity of the Camerata reached its height between 1577 and 1582. While propounding a revival of the Greek dramatic style, the Camerata's musical experiments led to the development of the ''stile recitativo''. In this way it facilitated the composition of dramatic music and the development of opera.
==Membership==
The term "camerata" is entirely a new construct coined by the members of Bardi's circle, although apparently based on the Italian word for "chamber", ''camera'', a term used for a room where important meetings were held. The name for Bardi's group comes from Giulio Caccini's score for ''L'Euridice'', wherein he dedicates the work to Count Bardi, remembering the "Camerata's good years." The earliest recorded meeting was 14 January 1573 at Count Giovanni Bardi's house. Known members of the group besides Bardi included Giulio Caccini, Pietro Strozzi, and Vincenzo Galilei (the father of the astronomer Galileo Galilei). Girolamo Mei also participated, and at a young age, Ottavio Rinuccini, born in 1562 may have also participated.〔 Less prominent members of the Camerata may have included the musicians Emilio de' Cavalieri, Francesco Cini, Cristoforo Malvezzi, and Alessandro Striggio. Literary figures included Ottavio Rinuccini, Giovanni Battista Guarini, Gabriello Chiabrera, and Giovanni Battista Strozzi the younger.〔 The social circle of Jacopo Corsi should not be confused with the Camerata of Bardi. Though they included many of the same luminaries, the rivalry between Corsi and Bardi was fierce and constant.
Unifying the Camerata members was the belief that music had become corrupt, and by returning to the forms and style of the ancient Greeks, the art of music could be improved, and thereby society could be improved as well. Though they did not originate many of their conclusions about music, the Camerata of Bardi solidified the ideas gleaned from outside thinkers like Girolamo Mei.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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